I am interested in the way our perception is formed by external forces especially mechanisms of power. I am drawn to places, narratives or situations where vulnerabilities have been manipulated and which reflect certain failed dreams. 

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My practice is influenced by early modernism, geometry and abstraction. I use forms and compositions that traditionally refer to non-objective ideals in an ambition to invoke something beyond the everyday.

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The process of working involves collecting photographic materials, drawing and working with light or recorded time based material. The outcome is an installation or three-dimensional collage. Additionally, I often work with the gallery or exhibition space that connects all individual elements and anchors the work in time. 

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In the past few years I have been inspired by architecture; urbanism and art works in public spaces in areas that display some kind of cultural or socio-political shift. I have worked in places such as Morocco, Israel and Senegal where modernity is not passively received but is a subject of perpetual reinterpratation.